Witchfinder General (1968) (aka The Conqueror Worm) is a collaboration between Tigon British Film Productions and American International Pictures. For the American release, AIP changed the name to Edgar Allan Poe’s The Conqueror Worm to link to other Corman/Poe movies they created. I’m not sure how brilliant that was since this has nothing to do…
Freedom has its limits. Gary Julian As Edgar Allan Poe’s Buried Alive (1989) started playing, I couldn’t shake the feeling that it was an American International Pictures film, but that’s not possible since they ceased operations in 1980. Oddly, the musical score sounds like something from them too, not quite Les Baxter, more like Peter…
Oh, God, help us. I won’t never sin again, never. Only don’t let no rats eat us. Please God. Mrs. Skinner The Food of the Gods (1976) is an American International Pictures gem that I’m so thankful to the Scream Factory for bringing back into the light. It’s loosely based, and I mean loosely, on…
Blood Bath (1966) – after seeing it again, I don’t get the name, but whatever – is from American International Pictures, and is a total B Movie. It’s artsy like The Cabinet of Caligari (1962) or Carnival of Souls (1962) featuring a beatnik art scene. A very young and svelte Sid Haig plays Abdul the…
Sci-Fi Horror is always a great combination for me, and when Roger Corman directs it for American International Pictures, I’m pleased as punch. The Beast With 1,000,000 Eyes (1955) is one of those films that by the end of it I was wondering what the fuck I just watched. It has Dick Sargent (the second…
From the bizarre opening to the end, I couldn’t help think that Deranged (1974) is a strange copy of Pyscho (1960), then later I saw bits of Texas Chainsaw Massacre (1974) thrown in though they were released in the same year. The story revolves around Ezra Cobb, who lives/d with his mother and takes care…
Spirits of the Dead (1968) is a strange anthology film containing three Poe stories. While American International Pictures didn’t produce this film, they distributed the English version; I watched the French/Italian version. It’s strange that not all the voices can be heard as they are erased from the soundtrack. I wonder if it’s the same…
At the beginning of Journey to the Seventh Planet (1962), the narrator paints a story of the future, this is an excerpt. “The year is 2001. Life is changed now. The planet Earth is no longer racked by wars and threats of annihilation. Man has learned to live with himself.” I wish we would’ve hit…
